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design speculation

It’s about looking into the future and back at the present to understand how things might be connected and how they might affect one another. It’s about being able to see the potential for things to develop, change, or grow over time. At its core, speculative design is about questioning the present and imagining possible futures. It’s about looking at problems from a different perspective and considering new and different solutions to those problems. Equally important, speculation about emerging gestures is meant to explore the alternative uses of digital devices we only see through glossy and slick videos produced by multinational corporations. Beyond the standard representations of the digital future, often staged in aseptic environments, we wanted to investigate the human situations of the everyday.

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Ms. Connolly said that along with her gold medal, her proudest achievement was carrying the American flag at the 1972 Olympics, over the objections of U.S. American athletes had been asked to reconsider their selection of Ms. Connolly as flag bearer, according to a Los Angeles Times account, but declined to change their mind. The marriage didn’t last — Ms. Connolly and her husband separated after 16 years, finalizing their divorce in 1974 — but she built a new life for herself in the United States, embracing activist causes as a feminist and environmentalist even as she continued setting discus records. She competed in four more Olympics, all as an American, and was elected flag bearer by her fellow athletes for the 1972 Opening Ceremonies in Munich, becoming the rare Olympian to win gold for one country and carry the flag for another. Sweeney remained (and remains) engaged to Jonathan Davino, who also executive produced the film.

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Instead, we choose to exercise our power and privilege to draw attention to the dearth of discussion and attribution to the literature and media contributions of other Black artists, designers, scholars, and creators to the current canon of design. We clearly acknowledge that our experiences and position may largely reflect our nationality within the United States, and thus do not represent the diversity of lived experiences attributed to the heterogeneity of Black women scholars nor are they intended to do so since Black women are not a monolithic population. There are many different ways to approach speculative design, but one common thread is that it is future-oriented. This means that speculative designers look at current trends and try to imagine where those trends might lead in the future. ” This type of thinking can be applied to any area of design, from product design to urban planning. By looking at the world around us and imagining what could be, we can start to shape the future we want to see.

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For example, the Paris-based architect studio XTU has envisioned a 2050 where Earth has become inhabitable due to rising temperatures, unbreathable air, and volatile weather. So, to escape an overheated planed, they imagined that humankind will inhabit the sky. The term “speculative design” was popularized by Anthony Dunne and Fiona Raby as a subsidiary of critical design.

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It should be kept in mind, therefore, that the purpose of speculative design fictions should not be utopian or dystopian science fiction visions of the future, but dialogue on what the future can be. As it relates to questioning the status quo of whose work is included, accepted and celebrated as being a part of the HCI design cannon, we make plain our positionality on this matter. Additionally, we acknowledge that we do enjoy a certain degree of privilege and power which affords us a platform to publicize our scholarship and unique perspectives because our of academic standing within the HCI community. However, not all Black women scholars within the HCI community are privileged or empowered in the same manner.

design speculation

This includes professions like information design, design management, software design, urban design, service design, and user experience design. Some studios and organisations take it one step further, for example by creating and making available electronics and devices which can be used to quickly prototype the objects and processes of future scenarios. A look into Speculative Design approaches, methods and tools and introduction to the building of the online repository by Salvatore Iaconesi. To prime us for the future, they plastered the room with articles from the future with headlines about potential problems such as accidents, child safety, and even environmental challenges such as water shortage (at the time California was experiencing a drought).

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Speculative fictions do not exist solely in a futurist vacuum, because the past (i.e. the present we live in) fundamentally impacts our designed vision of the future. As opposed to the open form of science fiction, in speculative fiction there is a link between the present and the imaginary future. Therefore, when re-thinking the future we must think about technologies and social relations that can emerge from the current world we live in. We must bring into question the assumptions and prejudice we have about the role of products and services in everyday life.

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One year, she joined other members of the Czechoslovak junior basketball team in the Slovakian city of Košice, where they were assigned to help build a railroad. Gossip mongers ate up the near-naked photos of the lead actors on set, the co-stars’ flirty interviews and online banter, and their exchanges of intimate looks during promotional appearances. Tesla is the first of the group of stocks known as the “Magnificent Seven” to report its results for the start of 2024. The focus is on the small group of stocks because they drove most of the U.S. stock market’s gain last year, and they’ll need to perform to justify their high prices. Lobbying for more officers has become something of an annual ritual at the LAPD, which has historically been among the country’s smallest big-city departments on a per capita basis.

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In many ways, this approach to imagining futures presents a foundation for HCI and interaction design that pushes towards a more critical framing to think about the longstanding interplay between race and technology. We examine current literature in this area and provide examples of frameworks that have long mirrored speculation and the process of concept generation that is critical to design. From this, we highlight how expanding the canon of design involves considering frameworks such as Afrofuturism, Black feminism, and Afrofuturist feminism along with the literature, media, and scholarly work that has been produced following the tenets of these frameworks. Lastly, we present a call to action that urges the HCI and interaction design community to consider these works as both foundational and seminal to our design practice. Following the praxis of ‘Cite Black Women’ [3, 89], it is imperative for scholars and researchers to expand speculative design conversations to acknowledge both previous and emerging literary and media works as intellectual production. Expanding the current design canon to emphasize writing and artistic works that center Black identities as the architects of their own futures positions Black people as intellectuals and ultimately contributors to the field of design and may lead to more equitable and liberated futures.

The goal is to emotionally, psychologically, and intellectually involve the audience. Unlike traditional design, which aims for clarity, speculative critical design raises questions without imposing answers. Speculative design is more an attitude or a position that a designer takes on than a methodology. Instead of aiming for solutions that should be practical and efficient in the commercial world, speculative design strives to be imaginative and critical to find a new perspective. The concepts are often built in an idealistic or exaggerated and satirical way to convey the idea and spur debates.

While frameworks have emerged to encourage attention to gender and social justice in design, little work has acknowledged evidence of the Black imaginary in this process. The current canon of design defines futuring and speculation as stemming from a narrow view of science fiction, one which does not include Black futurist perspectives. In this essay, we expand the canon of design by arguing that frameworks such as Afrofuturism, Afrofuturist feminism, and Black feminism be considered instrumental in design's imagining of our future technological landscape. We contribute to the larger conversation of who gets to future in design, suggesting a dialogic relationship between those who conceptualize design and those who consider design's societal impact.

The way we live our lives and the concepts we take for granted as self-evident are in fact highly influenced by many governing conditions of science, technology, politics, and philosophy. For example, online platforms like MeshMixer and Thingiverse can be used to facilitate the creation and exchange of 3D printed objects that are the protagonists of future design scenarios. As we have seen in the previous sections, most practitioners and theorists operating in the area of Speculative Design intend the practice as a series of different approaches, more than a formal methodology. Mostly relegated to university programmes, R&D departments, or the occasional agency project where a company wants to envision the future, rarely do we see it as an integrated practice in design and business strategy.

A project can be scientifically driven, technologically driven, culturally, and humanistically driven. Whereas heavily researched speculations are strong representations of how things could look like, ideas are purer, more immediate, and more malleable to development and discourse. In a series of speculative photographs titled When We All Live to 150 (2012), Jaemin Paik examines our quest for prolonging life and its implications on the model of families. When life expectancy is increased to 150, up to six generations may share the same household. The project follows the fictional life of 75-year-old Moyra and her sprawling contract-based family. For this reason, a definitive, final toolkit or method for Speculative Design cannot exist in a single, stable version, but must be a continuous negotiation among practices and tools which are very different from one another and, thus, are capable of catching different aspects of change and evolution.

Kennedy was just approaching his 10th birthday when his uncle, President John F. Kennedy, was assassinated. At 14, his father was fatally shot in Los Angeles, on the night he won California’s 1968 Democratic primary for president. Because of this, and the fact that it makes some people sound like they are on the verge of tears, some doctors once believed that the croaking or breathy vocalizations were tied to psychological trauma. SD, as it’s known, affects about 50,000 people in North America, although that estimate may be off because of undiagnosed and misdiagnosed cases, according to Dysphonia International, a nonprofit that organizes support groups and funds research. There was a time before the turn of the millennium when Robert F. Kennedy Jr. gave a full-throated accounting of himself and the things he cared about. He recalls his voice then as “unusually strong,” so much so that he could fill large auditoriums with his words.

Gil Scott-Heron's poem “Whitey on the Moon” recorded in 1970 talks about white men's mission to travel to the moon while Black Americans are living in rat-infested housing and struggling to pay medical bills [86]. In many ways this contrast is still reflected in our present technological innovation culture which situates AI as cutting edge for some and dangerous for others. In fact many of the pioneers of Speculative Design are today trying to close the loop to action, taking the practice out of the gallery and into everyday life. The Reconstrained Design Group led by James Auger in Portugal, for example, has applied a Speculative Design approach to renewable energy through the prototyping of gravity-powered appliances (e.g. lamp, turntable) and a general rethinking of energy consumption in its current through-the-wall form.

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